In August, for various reasons, I found myself in Reykjavik, dropped down by a bus right outside the unexpected sight of ‘Harpa’, the soon-to-be-opened new Concert Hall for Iceland. It was in the last few stages of construction, to get ready for its official opening a few days later. As a result of all that has happened to Iceland over the past few years it looms out of the edge of the harbour all dressed up for a party, surrounded by blank ground where new buildings are apparently intended to turn up sometime soon.
The unfinished landscape treatment added to this strange aura, but all sense of perplexity vanishes in a flash of blue and green-gold light as you look up to the facade as you get closer to it.
The building itself was designed as a collaboration between the Danish Henning Larsen Architects and the Icelandic Batteríið Architects. The dressing up of the facades was planned and designed by a Danish-Icelandic artist called Ólafur Elíasson, apparently to echo the variety of geological and landscape features in Icelandic terrain. (The Harpa website is here). Certainly the effect is mesmerising, and for anyone interested in photography and light it is a playground. The name Harpa I gather is a result of public consultation, Harpa being both Icelandic for harp and a popular girl’s name.